Fu Baoshi (Chinese: 傅抱石), or Fu Pao-Shih, (1904-1965) was a Chinese painter from Xinyu, Jiangxi Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition.

He was the Director of the Jiangsu Province Chinese Painting School and a Vice-Chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He has held many personal exhibitions in China. In 2011 his first major retrospective exhibition in the west was held by the Cleveland Museum of Arts and the Nanjing Museum.

Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.

Introducing "Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965)"

Step into the world of one of the most influential figures in 20th-century Chinese art with "Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965)." This groundbreaking book is the first comprehensive retrospective of Fu Baoshi's remarkable work to be published in the West, offering readers a captivating journey through his artistic evolution and profound impact on Chinese ink painting.

Fu Baoshi, renowned as both an art historian and a painter, pushed the boundaries of traditional Chinese ink painting, ushering in a new era of innovation for subsequent generations. In a time marked by war and revolution, Fu dedicated his art to safeguarding China's cultural heritage. His diverse portfolio encompasses traditional-style landscapes, captivating figure paintings, and politically charged artwork that reflected the state ideology during the Mao era. Through his artistic exploration, Fu sought to create a distinct Chinese artistic language that resonated with both the individual and the nation.

"Chinese Art in an Age of Revolution" showcases over 100 artworks, meticulously curated to illustrate Fu Baoshi's stylistic transformation over several decades. Each piece speaks volumes about his unwavering pursuit of a unique artistic identity, intertwining native traditions with modern sensibilities. The book provides a remarkable visual journey that allows readers to witness the evolution of Chinese art under Fu's masterful brushstrokes.

Complementing the striking visuals are insightful essays penned by esteemed scholars Julia F. Andrews, Tamaki Maeda, Aida Yuen Wong, and Kuiyi Shen. Their thought-provoking contributions delve into various aspects of Fu Baoshi's life and art, shedding light on his profound impact on the art world. The essays also explore the influence of Japan on modern Chinese art and the intricate relationship between art and politics in China's turbulent 20th century.

With its beautifully illustrated pages and rich scholarship, "Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965)" is a must-have for art enthusiasts, scholars, and anyone fascinated by the intersection of art, culture, and history. This book serves as a gateway to understanding Fu Baoshi's extraordinary contributions and the transformative power of Chinese art in the face of revolution.

Publication Details:

Title: Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965)
Paperback, Illustrated Edition
Published: January 8, 2012
Pages: 256

Exhibition Schedule:

Cleveland Museum of Art: October 16, 2011, to January 8, 2012
The Metropolitan Museum of Art: January 30, 2012, to April 29, 2012

Price :

$49.00

Quantity :

or

Add to Shopping Cart